NEW YORK — The star-studded West Coast performance of the gay marriage play “8” led by George Clooney and Brad Pitt will be heard again this month – on radio and online.
A recording by L.A. Theatre Works of the March 3 performance in Los Angeles will be broadcast in the coming days on 90.7 KPFK in Southern California, 89.7 WGBH in Boston, 91.5 WBEZ in Chicago, 94.9 KUOW in Seattle, 91.1 KRCB in San Francisco, 89.3 WPFW in Washington, D.C.; and over 100 other markets nationwide. June is Gay Pride Month.
The play is about the 2010 federal court fight against Proposition 8, the gay-marriage ban that California voters approved in 2008. The play by Oscar winner Dustin Lance Black made its Broadway debut last year in similar starry fashion.
Relying largely on transcripts from court proceedings, “8” introduces viewers to the couples who challenged the California initiative, the attorneys who argued their case and witness who spoke out against them. The legal fight over Prop. 8 is ongoing.
The play made its world premiere on Broadway last year starring Morgan Freeman, Anthony Edwards, John Lithgow and Cheyenne Jackson.
The trial is important to gay activists because former U.S. Solicitor General Theodore Olson and attorney David Boies – who represented opposing sides in the disputed 2000 presidential election – put on a powerfully clear argument in favor of same-sex marriage. It was recorded but Prop. 8 backers have so far succeeded in getting the U.S. Supreme Court to bar broadcast of the landmark case.
In addition to Clooney and Pitt, the Los Angeles edition also featured Kevin Bacon, Jamie Lee Curtis, Christine Lahti, Jane Lynch, Martin Sheen and John C. Reilly. It was directed by Rob Reiner.
Source: Huffington Post
Hopefully you weren’t that excited for “World War Z.”
Paramount has brought on “Prometheus” screenwriter Damon Lindelof to retool the Brad Pitt-led adaptation of Max Brooks’ famed zombie novel — with specific focus being placed on the film’s third act. That would par for the Hollywood-blockbuster course, except for one small detail: “World War Z” finished filming last year.
THR.com broke the news of Lindelof’s hire, while noting that “World War Z” will undergo “significant reshoots” likely starting this fall.
For Paramount, this is the second high-profile film to require major post-production changes. Last month, “G.I. Joe: Retaliation” was moved from its June 29 release date to March 29, 2013. The studio line was that “G.I. Joe” was being retrofitted into 3D to help with overseas revenues, but Deadline.com reported that test audiences were unhappy with Channing Tatum’s brief role in the film. His part could be expanded with additional reshoots, but Tatum hadn’t heard about any last week at the MTV Movie Awards.
“I don’t know. Truly,” Tatum said. “I haven’t seen the movie. I did my part and then all this stuff is going on, so they haven’t come to talk to me about anything. They talk about a lot of stuff; who knows if it’s the industry or the actual studio? You never know.”
As for “World War Z,” the film was initially scheduled to hit theaters on Dec. 21, but was moved to next June earlier this year. That would give director Marc Forster plenty of time to work in the new ending that Lindelof writes, but whether the director gets the chance is certainly up for debate. As Badass Digest writer Devin Faraci notes, “It’s hard to believe [he’ll] be allowed to keep screwing the movies up in costly overtime.”
Source: Huffington Post
Looks like World War Z is in trouble. From THR:
Extensive re-shoots, a last-minute script rewrite and creative issues force Paramount’s $170 million-plus zombie war movie to June 2013 from a planned December release.
Brad Pitt went into producing and starring in Paramount’s World War Z, based on a best-selling Max Brooks novel about zombies in a postapocalyptic world, hoping to kick off a trilogy that would amount to more than just a series of PG-13 popcorn movies.
“Can we take this genre movie and use it as a Trojan horse for sociopolitical problems, and what would the effect on the world be if everything we knew was upside-down and pulled out from under us?” he told The Hollywood Reporter in January, suggesting that his inspiration was the iconic 1974 disaster epic, The Towering Inferno.
It now seems that everything was upside-down on World War Z. “A nightmare from top to bottom,” describes one source with ties to the production, which appears to have been hampered from the outset by a lack of clear creative direction. Pitt hired the director of his choosing, Marc Forster (The Kite Runner, Finding Neverland), but Forster — who has limited experience on effects-heavy tentpoles — was not allowed to bring along his usual team. Instead, several more seasoned players were hired. The result, say multiple sources, is a seemingly headless enterprise driven by conflicts. At this point, the movie, with a price tag now said to be north of $170 million, needs as many as five weeks of complex reshoots, which are not expected to get underway until at least September. Paramount has taken the unusual step of hiring Prometheus scriptwriter Damon Lindelof to rework the film’s third act. The studio announced in March that it was moving the film to June 2013 from December.
Trouble emerged early: Three weeks before shooting was to begin in June 2011, sources say Forster had not made critical decisions about what the zombies would look like and how they would move. “They just couldn’t get it right,” one insider says. “There was a lot of spinning of plates, a lot of talking. [But] they did not have a plan.” Meanwhile, seasoned below-the-line talents were hired, then replaced, including line producer Colin Wilson (Avatar) and Oscar-winning effects man John Nelson (Gladiator). Cinematographer Robert Richardson, who has three Oscars, is said to have asked to leave the production on more than one occasion. (None would comment for this report.)
World War Z is one of several recent projects that underscore the risks associated with big effects films, especially when untested directors are involved. Disney saw first-time live-action director Andrew Stanton’s John Carter bomb in March, and Universal is facing serious problems with the $175 million to $200 million Keanu Reeves samurai film 47 Ronin, which it pushed into 2013 after first-timer Carl Rinsch presided over a chaotic shoot. Industry veterans say World War Z is another example of a film that was greenlighted and sent into production with a concept and script that were not fully baked. And they cite this situation as one of many in which studios set release dates and then push to finish in the timeframe allotted, leaving insufficient prep time.
2 clips from Killing Them Softly and the poster, which premieres September 21st. Here is the movie synopsis:
Three dumb guys who think they’re smart rob a Mob protected card game, causing the local criminal economy to collapse. Brad Pitt plays the enforcer hired to track them down and restore order. KILLING THEM SOFTLY also features Richard Jenkins (THE VISITOR), James Gandolfini (“The Sopranos”), Ray Liotta (NARC), Scoot McNairy (MONSTERS), Ben Mendelsohn (ANIMAL KINGDOM), and Vincent Curatola (“The Sopranos”). Max Casella, Trevor Long, Slaine and Sam Shepard also make appearances. KILLING THEM SOFTLY is written for the screen and directed by Andrew Dominik (The Assassination of Jesse James by the Coward Robert Ford), and is based on the George V. Higgins novel, “Cogan’s Trade.” Brad Pitt, Dede Gardner, Steve Schwartz, Paula Mae Schwartz, and Anthony Katagas produced the film, with Roger Schwartz, Matthew Budman, Will French, and Douglas Saylor Jr. serving as co-producers. Director of photography Greig Fraser, and production and costume designer Patricia Norris led the creative behind-the-camera team. Casting for KILLING THEM SOFTLY was handled by Francine Maisler, and Brian A. Kates, A.C.E., served as editor. Executive producers are Megan Ellison, Marc Butan, Bill Johnson, Jim Seibel, Bob Weinstein, Harvey Weinstein, Adi Shankar and Spencer Silna.
Hey everyone! Brad attended the Photocall for Killing Them Softly yesterday at the 64th Cannes Film Festival and here are pictures. Huge thanks to Claudia from MorganFreeman.us for the pictures!