The movie is looking cool! World War Z opens on June 21st, 2013
As a zombie pandemic traverses the globe, United Nations employee Gerry Lane (Brad Pitt) travels the world trying to find a way to stop the pandemic that is defeating armies and collapsing governments.
There’s a new teaser for World War Z, which will be airing during the Super Bowl.
World War Z opens on June 21st, 2013
A brand new still of World War Z has been released and it’s on the gallery:
Looks like Brad has his eye on a new movie, WB recently acquired Pontius Pilate. Would be a very polemic move for Brad, that’s for sure. Here’s the article from Collider:
Warner Bros. recently acquired Pontius Pilate, a script by Vera Blasi (Woman on Top) about the Roman prefect who presided over Jesus’ trial and was convinced by the crowd to sentence Jesus to death. Even in his limited appearance in the Biblical canon, Pilate is portrayed as conflicted, reluctant to send a man he believes to be innocent to such a fate. Blasi has stated that in addition to “the available facts from Roman and Jewish history books and the four gospels,” she speculates to follow Pilate from childhood, showing his time in the military and his rise to political office. Blasi intends to use this character study as a launching point for “an investigation of the politics of Judea at the time, and what it was like to be occupied by Rome.”
All that is enough to intrigue me… and Brad Pitt. Deadline reports Pitt is circling the lead role. Pontius Pilate will provoke controversy no matter who stars, but Pitt’s star power and politics would magnify that, should he sign on.
I’ve finished the gallery *finally* with the addition of Magazine Scans and Photoshoots. Including some new photoshoots! Now all I’m missing will be movie screen captures which I like to do manually to make them perfect. So those will take a while. I hope you enjoy!
Hey guys! I’ve finished up the gallery in the Events/Appearances section. All done! Also completed with the latest 2012 events that were missing. Huge thanks to Claudia, Roberta and DeAdele for the help with the pictures!
Brad has given interviews on Good Morning America and Nightline
Killing Them Softly is set in Boston, maybe. Someone mentions living in Somerville, a scattering of the characters have the accent, and they talk about going down to Florida. But the film was shot in New Orleans, often in the industrial edges still ragged from Hurricane Katrina, and the only people who seem to inhabit its universe are gangsters — high level ones with pretentions of civility and hardscrabble losers struggling to get a few dollars together by way of hazardous schemes. What ties this abstract, violent place to the real world is the 2008 presidential election, which provides a backdrop for its tale of an ill-advised robbery and the guy brought in to clean up after it. There’s George W. Bush talking about the bailout on a TV in the corner as two guys knock over a card game; there’s Barack Obama promising change on a billboard over a neighborhood filled with empty lots and abandoned houses. It’s a neat idea, matching the brisk kill-or-be-killed business of unforgiving criminal life to an America staggering from the economic crisis. But as in his last feature, the gorgeous and stiltedly self-conscious The Assassination of Jesse James by the Coward Robert Ford, Australian filmmaker Andrew Dominik shows a tendency to lean too hard on his symbolism rather than letting it exist as part of the whole. In Jesse James it was the tying in of the last days of the outlaw to a meditation on celebrity. Here, it’s the capitalism-as-a-disease parallels on a national and narrative scale that start to feel on the nose long before a character barks “America’s not a country, it’s a business — now fucking pay me!” and Barrett Strong’s “Money (That’s What I Want)” plays over the closing credits. But when Dominik, working off his own screenplay adaptation of a novel by George V. Higgins, is less focused on trying to make an important movie, he turns out an indisputably fun one, a stylish and flamboyantly macho affair that cribs pleasantly from Mamet, Blue Velvet, Tarantino and Scorsese. The film starts with Frankie (Scoot McNairy), a ferrety guy recently out of prison and eager to convince his Australian pal Russell (Ben Mendelsohn, memorably scary in Animal Kingdom) to get in with him on a job. Russell’s working his own scheme involving kidnapping purebred dogs and using the money to buy an ounce of heroin and become a dealer, but Frankie’s pal Johnny (Vincent Curatola) has what he claims is a foolproof gig. They’ll rob a poker game run by a guy named Markie (Ray Liotta), who arranged to hold up his own game once in the past and got away with it. The games are protected, but if his gets robbed again everyone will assume he’s the one behind it. Killing Them Softly starts off with its main heist, if it can be called that, and then turns to the fallout, letting things rattle along for a considerable amount of time before introducing Jackie (Brad Pitt), a guy who can’t really be described as a hero or antihero. Jackie’s a fixer and a hitman who’s filling in for the last go-to guy, Dillon (Sam Shepard, glimpsed only in flashbacks), and he’s a competent, no nonsense figure in a world full of fuck-ups. Dominik’s film is interesting in that the crimes themselves, whether stick-ups or killings, are rarely difficult — it’s the aftermath that gets people in trouble, when they can’t keep their mouths shut about what they just pulled off or don’t know when to cut their losses and get out of town. Dominik shows an open appreciation for his actors and for the way tough guys, aspiring and genuine, talk to each other — and Killing Them Softly is as much centered around talking as it is action. Pitt, playing a practical know-it-all who falls somewhere between Rusty Ryan and Tyler Durden, is terribly entertaining shooting the shit with Driver (Richard Jenkins), the representative of the unspecified group who hired him, the two complaining about the new “total corporate mentality” like disgruntled office workers on a smoke break. Later, he brings in Mickey (James Gandolfini) from New York to help out, and watches him with worried calculation as he turns out to be in rough shape. If gangsterism is just capitalism in a more raw form, then Jackie is the creature best suited for this world. He knows the rules and enforces them without prejudice, because it’s just business and this is just a job. Killing Them Softly doesn’t give that idea its intended sting. The film wants to be angry and scathing, but, to its credit, enjoys its characters and its mechanics too much to have a sharp edge. Whether it’s showing someone’s death in a luxurious slow motion spray of bullets and glass or lingering as someone drunkenly reminisces about a girl he sometimes sleeps with but has no hold on, the film is too fond of its rich details to allow them to become damning symbols of the system in which they can be found.
I’ve added a brand new photoshoot of Brad Pitt taken yesterday during the “Killing Them Softly” promotion and he is looking gorgeous! Thanks to Claudia. Enjoy!
Pictures of Brad Pitt on the New York screening of “Killing Them Softly” are up the gallery. The movie opens this friday.